Peter Doig, Concrete Cabin,1994 Oil on Canvas - 198 x 275cm |
Peter Doig’s paintings of Le Corbusier’s classic modernist apartment block offer a mysterious Utopia: cosmopolitan dream architecture nestled in (or imprisoned by) tangling wilderness. In Concrete Cabin, it’s the nowhereness of the scene which is strangely uncanny: the bright minimalist grid of the building beaconing through the dark shadows of the trees; an everyday glimpse from a suburban sidewalk twisted into something magical; a set from a contemporary fable. Peter Doig paints this scene with chimerical effect; cropping the image to exclude ground or sky, it has no physical orientation or weight, only the intangible presence of a fleeting moment.
A week ago I was at the Beyeler Foundation to see an exhibition on Peter Doig, as a painter Robbin Van Den Akker and Thomas Vermeulen talked about in their publication about a new-romanticism, it was an exhibition I could not miss, furthermore one painting particularly striked me, "Concrete Cabin", as it shows the negociation between culture and nature, The romantic sensibility and oscillation the philosophers talk about.
Furthermore the relation between Nature and Culture in contemporary architecture is interesting to note, I recently made a post about Herzog&DeMeuron and the Signalbox, and recently I've discovered a book called called "Taking Shape" by Susannah Hagan, during my researches on "Landform Building"
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Overview
In recent times, the
architecture/nature discussion has encouraged a dual response:
architects have built in the image of nature - a token
environmentalism while environmentalists have focused too narrowly
on the technologies of ecology and sustainability, invariably
without paying sufficient attention to spatial and visual issues.
In this book, Hagan argues for a new relationship
between architecture and nature: a contract that renegotiates the
tension between environmental processes and their formal
consequences. Taking Shape makes a major and provocative
contribution to the debates concerning the ethics and aesthetics of
environmentalism within architecture and urban design. Mohsen
Mostafavi, Chairman, The Architectural Association
Review : Booknews
Arguing for the idea that
environmental architecture should be as innovative intellectually and
aesthetically as it is technically, Hagan (architecture, U. of East
London, UK) begins by placing environmental architecture in
historical and theoretical perspective. She discusses a number of
general historical and theoretical issues, including the
environmental challenge to assumptions about the value of the new to
architecture, modernism, and consumerism. She then suggests criteria
by which to identify and produce environmental architecture. The
final chapter evaluates how new models of nature might influence not
only contemporary architectural theory and practice but also
sustainable urban development
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http://www.barnesandnoble.com/w/taking-shape-susannah-hagan/1112333702?ean=9780750649483
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